Far from metropolitan style

During the New York Fashion Week, we were pleasantly surprised to find that the focus of fashion has shifted from the United States to China.

Who would have thought that in the fashion world facing a large number of Chinese-made goods, emerging designers have rescued their country's traditional crafts so that they will not be affected by "Made in China." However, Ralph Lauren is inspired by Chinese art.

On the last day of New York Fashion Week 2011, Ralph Lauren presented us with a beautiful picture of the old Shanghai's lazy charm in the 1920s.

The opening showcases an elegant white shirt and smooth urban trousers. Both the pinstripe tops and the modern fabrics with a reflective effect reveal a strong Chinese style: emerald green jade earrings, fur collars, cheongsam and red velvet shoes highlighting the curves of women, complementing the smooth and neat hair styles, Cecil Beaton had Use "Flies will also slip on it" to describe the degree of compliance of this hairstyle. In this series, we did not see the epitome of the American metropolis.

Usually, when Ralph Lauren decides on a new topic, some modern elements will always be added. For a long time, it has become nothing new. This time, we saw a jacket embroidered with dragons and how it looked like it was copied from the clothes shop in Chinatown.

Of course, there are also refined and refined garments, such as well-cut, elegant and slender dresses, jewel-like colors such as wine red and green, and ubiquitous black. Reflective surfaces add a lot of temptation to evening wear. Divorced from the inspiration of the metropolis of the United States, Lauren seems to want to find a way out of the general fashion spirit.

Handicraft New York's urban fashion is still reflected in the clean and clear outlines and lines, but the subtext is missing craftsmanship.

Like other forward-thinking designers at New York Fashion Week, Proenza Schouler’s collection is an interesting expression of American fashion art. The designer focused on craftsmanship, so we saw digital prints and fabrics that seemed to be shredded under the effect of light.

This style may be messy, but it is absolutely rigorous.

With the advancement of science and technology in the 21st century, it has not been a difficult task to produce complex structures and the production process is also very advanced. For example, a kaleidoscopic pattern is printed on a jacquard skirt, or a soft pattern is printed on a velvet fabric.

This combination has its own name, called "modern style," and it used to be Japanese printing and dyeing technology. But they did not allow this technology to completely occupy the home market. Although occasionally there is a sense of inconsistency in the printing of wool or leather products, most of the time, it will combine digital printing and superb technical techniques.

The designs on those slim velvet dresses seem to be flowing down the clothes. At this point, we have seen the constant changes and development of ancient technology in the fashion industry.

Brand building Brand building requires confidence in actual actions. This requires you to maintain a clear perspective in the ever-changing fashion industry.

Calvin Klein, under the leadership of designer Francisco Costa, found the best fit for his position. Francisco truly understands what is modern and combines the original ideas of the founder. On the last day of the New York Fashion Week, he showed us the A-line, a strong but not stiff profile that fits into a little skirt on the knee, using neutral shades such as gray, beige, and milky white.

In the selection of fabrics, they did not focus on the technical details, but on the intuition of fashion. For consumers, the first thing to buy is intuition.

In this series of Calvin Klein, the designer returned to the original "simple and clean" concept, but it updated the 21st century's cultural heritage and created a powerful image design series.

The geometry of Reed Krakoff's work gives people an impression of a pale gray frame. This is the designer's strengths and his shortcomings. All the designs in this series are from Coach's creative director, and the theme is still the geometry he excels at. But designers learned to weaken the dull geometry through tulle and silk fabrics.

Designers are skilled at tailoring and applying it to lambskin coats and comfortable jackets. The combination of these applications is more attractive than his earlier conservative old-fashioned designs. A leather jacket, a low waistband, and a pink duffel jacket are the best examples of a modern attitude to clothing.

The concept of “less and refined” is reflected in this small grey invitation letter. The flat surface is also spliced ​​with silver leather. It is indeed elegant and gorgeous in a low-key manner.

It is always difficult to find a definition of Krakoff. The design of bold handbags has not been seen on many show venues and it seems to have been completely abandoned. It is strongly recommended that when designing his new brand, designers must not only design with care but also have brains.

From the very beginning, the image of the white rabbit of miniaturism was applied to the white tutu and to the long dress, Oscar de la Renta confirmed that the control of repression had been completely over in the past few seasons.

For the silver fox fur decoration, the Ottoman Jacquard jacket and Moroccan embroidery, this design is indeed a majority member. But if it is not in a separate set of equipment, it will have the same feeling to some extent.

The designer (let's call us her high-fashion tailor) has a deep understanding of the important influence of the decoration on the clothing, and makes the overall shape more grand and grand. A hand-stitched thread print is decorated with a large amount of dense sequins, and it looks like it was moved from an exotic temple; the white fluffy design is like a ballet skirt and a young and sweet feeling. .

Dynamic sportswear "a laid-back posture" is the theme of the latest series of Phillip Lim. However, the suggestion to use pragmatism in street style is not the sportswear impression that designers left behind.

Instead, he was using the ingenuity of the fabric, for example, adding a tan leather sleeve to a simple sweater or a scarf on a sleeveless jacket.

Of course, there are some bizarre additions, such as adding pins to the sleeves and so on. But more often than not, the fresh colors used in its designs are blue and green, which fully embodies the designer's concept of combining sportswear functionality with other bizarre things and is more suitable for the younger generation's dress code.

The cross cloak sat in front of the Anna Sui show and was a Japanese popular women's band. From comfortable cloaks printed with new art motifs to hippy-style dresses to colorful shoes, who dares to ask which girl can withstand the temptation of this "trio"?

As an ethnic Chinese woman, Ms. Anna Sui has achieved great success in the Asian market, but she has always been passionate about the rich artistic and fashion style of England. She prefers Victorian dark green, purple and other dark colors with white. Perform the overall brightening effect.

Ms. Anna Sui seems to want to explain her style more deeply through this show: a simple leather jacket with a metallic glitter effect, a short cape with a slightly wider profile, and a pattern that oscillates back and forth between flower decorations.

The charm of Ms. Anna Sui lies in the use of a large number of accessories, including a weird hat with a cat's face, a butterfly brooch, pantyhose lace and a pair of flat shoes. The Korean girls' Wonder Girls were obsessed with Anna Sui's shoes and set them as performing shoes.

The splendid gorgeous Havisham was inspired by Dickens' famous novel "Great Expectations" and combined with Hollywood's red carpet partner, Marchesa, for the New York fashion season.

It is said that Georgina Chapman and Keren Craig will abandon the messy style. The lace dress seems to have faded the chiffon.

The rest of the decor includes sophisticated embroidery and crystal sparkling effects, creating a feeling of wonderland; puff sleeves and pleats add a princess-like feel.

Profile L'Wren Scott's series shows a slim, stylish woman. Although this is no longer a style of innovation, more elements of her own are added to the design. An exhibition of works by artists in London inspired Ms. Scott to use the leaves of a tropical jungle as a motif. Her color was chosen from bright orange and her own favorite mauve.

The overall image is as cute as Gauguin's paintings. Ms. Scott continued to move forward from her perspective, so that the entire series was no longer around her.